Louis Armstrong Meets Oscar Peterson [Vinyl 1LP 180g]

Straightahead / Mainstream Jazz
premiera polska: 2010-07-16
kontynent: Ameryka Północna
kraj: USA
opakowanie: kartonowe etui
opis:
multikulti.com:
Mistrz Jazzowej Trąbki i Mistrz Jazzowego Fortepianu – taki skład gwarantuje sukces!
Tak też było. Gdy spotkali się przy nagrywaniu tego albumu w 1957r., musieli naprawdę świetnie się bawić. Już pierwszy utwór dowodzi ogromnej muzykalności i talentowi muzyków. I to nie dziwi, skoro obaj tworzyli w latach 50. duet marzeń i jedynie za sprawą producenta Normana Granza, który miał podpisany kontrakt z artystami, to marzenie mogło się ziścić.
Tak popwstał jeden z klasycznych jazzowych albumów, na którym usłyszymy 16 utworów z Louisem Armstrongiem na wokalu i na trąbce, Oscarem Petersonem na fortepianie, Herbem Ellisem na gitarze, Ray'em Brownem na kontrabasie i Louisem Bellsonem za perkusją.

Luis Armstrong w większości utworów występuje tu jako wokalista, chociaż nie brak również krystalicznie czystego brzmienia trąbki, która tak jak w latach 50. tak i na tej płycie urzeka nas swoim blaskiem.

Genialny Oscar Peterson nie ogranicza się wyłącznie do roli akompaniującego – jest bezsprzecznie genialny, pełen fantazji i technicznego blasku. Utwór „You Go To My Head” dorównuje tak charakterystycznej wersji śpiewanej przez Billie Holiday i w pełni oddaje jego nieprzemijalną świeżość i czystość.
Utwór „There’s No You”, w którym Louisowi towarzyszy Herb Ellis, jest klejnotem wykonawczym i zasługuje na specjalną pochwałę.

allmusic.com:
By 1957, hard bop was firmly established as the jazz of now, while pianist Oscar Peterson and his ensemble with bassist Ray Brown and guitarist Herb Ellis were making their own distinctive presence known as a true working band playing standards in the swing tradition. Louis Armstrong was more recognizable to the general public as a singer instead of the pioneering trumpet player we all know he was. But popularity contests being the trend, Armstrong's newer fans wanted to hear him entertain them, so in retrospect it was probably a good move to feature his vocalizing on these tracks with Peterson's band and guest drummer Louie Bellson sitting in. The standard form of Armstrong singing the lead lines, followed by playing his pithy and witty horn solos based on the melody secondarily, provides the basis for the format on this charming but predictable recording. What happens frequently is that Armstrong and Peterson play lovely ad lib vocal/piano duets at the outset of many tunes. They are all songs you likely know, with few upbeat numbers or obscure choices, and four extra tracks tacked onto the CD version past the original sessions. In fact, it is the familiarity of songs like the midtempo "Let's Fall in Love," with Armstrong's gravelly and scat singing, and his marvelous ability to riff off of the basic songs that make these offerings endearing. A classic take of "Blues in the Night" is the showstopper, while choosing "Moon Song" is a good, off the beaten path pick as the trumpeter plays two solo choruses, and he leads out on his horn for once during the slightly bouncy, basic blues "I Was Doing All Right." Some extremely slow tunes crop up on occasion, like "How Long Has This Been Going On?," an atypically downtempo take of "Let's Do It," and "You Go to My Head," featuring Peterson's crystalline piano. Liner note author Leonard Feather opines that this is Armstrong's first attempt at the latter tune, and compares it historically to Billie Holiday. There are the dependable swingers "Just One of Those Things," "I Get a Kick Out of You," and "Sweet Lorraine" with Peterson at his accompanying best, a ramped-up version of the usually downtrodden "Willow Weep for Me", and a duet between Armstrong and Ellis on the sad two-minute ditty "There's No You." All in all, it's difficult to critique or find any real fault with these sessions, though Peterson is subsumed by the presence of Armstrong, who, as Feather notes, really needs nobody's help. That this was their only collaboration speaks volumes of how interactive and communal the session really was, aside from the music made being fairly precious.
by Michael G. Nastos

muzycy:
Louis Armstrong: Vocals & Trumpet
Oscar Peterson: Piano
Herb Ellis: Guitar
Ray Brown: Bass
Louis Bellson: Drums

utwory:
SideA:
1. That Old Feeling 2:44
2. Let's Fall In Love 3:16
3. I'll Never Be The Same 3:31
4. Blues In The Night 5:13
5. How Long Has This Been Going On 5:58
6. I Was Doing All Right 3:22

SideB:
1. What's New 2:42
2. Moon Song 4:34
3. Just One Of Those Things 4:05
4. There's No You 2:17
5. You Go To My Head 6:27
6. Sweet Lorraine 5:14

wydano: 2010-05
nagrano: Recorded at The Clinton Studio "A" in New York on November 8 & 9 & 10,2008