Giulia Semenzato, Basel Chamber Orchestra: Angelica diabolica

Barokowa Muzyka Klasyczna
premiera polska: 12.05.2022
opakowanie: digipackowe etui
opis:
Editor's info:
Giulia Semenzato, already renowned for her interpretations of the Baroque repertory and her Mozartian roles, presents here her first solo album. The programme, entitled Angelica diabolica, is devoted to the female protagonists of Ludovico Ariosto, author of the epic poem Orlando furioso, whose emblematic figure is Angelica, a revolutionary heroine, ready to resort to any trick in order to regain her freedom. After the Baroque Rome of Luigi Rossi and his opera Il palazzo incantato (1642), we turn to the galant style of Naples with Nicola Porpora’s serenata Angelica (1720), then to Milan in 1702 with the warlike heroine of Bernardo Sabadini’s opera Angelica nel Catai, before a more melancholy take on the character by Agostino Steffani (1691). These rare numbers rub shoulders with more familiar arias by Georg Friedrich Handel, sung by the heroines of his operas Orlando, Ariodante, Amadigi di Gaula, not to mention the famous enchantress Alcina. Alongside the Kammerorchester Basel, Giulia Semenzato deploys all her virtuosity, vocal agility and feeling for words to slip into the shoes of these women, by turns angelic and diabolical.

muzycy:
Giulia Semenzato (soprano)
Basel Chamber Orchestra

utwory:
Handel: Desterò dall'empia dite (from Amadigi di Gaula)
Handel: Mi restano le lagrime (from Alcina)
Handel: Non potra (from Orlando)
Handel: Volate, amori (from Ariodante)
Pollarolo: Quella man che mi condanna (from Ariodante)
Porpora: L'Angelica
Rossi, Luigi: Il palazzo incantato, ovvero La guerriera amante
Sabadini: Mi vedrà più fiera in campo (from Angelica nel Catai)
Steffani: Se t’eclissi o bella face (from Orlando generoso)

wydano: 6th May 2022
more info: www.outhere-music.com