Bedouin Sound Clash

A highly experimental world music album that combines heavy reggae-influenced rhythms with Middle Eastern percussion, and the occasional female vocal. From Raz Mesinai, master dubber and percussionist, and one half of Sub Dub (Instinct Records/Asphodel Records).

"'Badawi' means 'Bedouin' or 'Desert Dweller', and represents all nomadic people who, like the sounds and rhythms you will hear on this CD, wander but are never lost." -Raz Mesinai

ABOUT RAZ MESINAI:

Composer, Musician, DJ and producer Raz Mesinai was born in Jerusalem in 1973 and was raised primarily in New York City.

Mesinai's music is a unique hybrid of dance music and avant garde composition. He draws his influences from fiction, mythology, anarchist philosophy, as well as elements of alchemy and mysticism.

At the age of ten Mesinai began producing instrumental "breaks" for breakers and rappers in the early eighties. Due to frequent visits between New York City and the Middle East Mesinai developed a knowledge of both Sufi, Jewish, Algerian, Morroccon and Persian musical traditions. This combined with his self taught compositional style and his skills as an engineer and dub alchemist Mesinai developed his incomparable sound.

In 1992 Mesinai was recording his own dub tracks under the moniker "The Bedouin" or Badawi, and produced cassettes which he played on a boombox in the streets of lower Manhattan and sold to passersby. He began developing his use of the recording studio itself into a compositional tool, and produced some of his classic recordings with a 4-Track cassette and an echo chamber. While he was still a teenager, Mesinai began to make a name for himself as a DJ. Gaining a following for his seamless integration of all musical styles, he began spinning in some of New York's most underground nightclubs, including Nylon, Mars, The RV, Save the Robots, Lime Light, Sound Lab, and The Pyramid among others. In 1992 Mesinai met veteran producer John Ward, and together they produced several recordings under the moniker Sub Dub (which are considered classics in the modern dub and so-called "Illbient" scene). During this same time Mesinai himself produced the modern dub classic Badawi Presents: Bedouin Sound Clash, featuring HoneyChild on vocals. Later came the Badawi records Jerusalem Under Fire, The Heretic of Ether and Soldier of Midian.

Meanwhile Mesinai began gaining recognition in New York City's downtown music scene for his avant-garde percussion, piano, string, and electronic compositions. He met and was influenced by composer John Zorn, and in 2001 Zorn released Mesinai's most abstract albums to date - Before The Law, Resurrections For Goatskin, and Cyborg Acoustics. His String Quartet for Four Turntables was commissioned and presented by the Lincoln Center Festival in 2000, and in 2001 Badawi: Soldier Of Midian (ROIR) received an award from Ars Electronica. In 2002 Mesinai performed for the second time in the Lincoln Center Festival, opening for revered Nubian musician Hamza El Din, and was a featured artist in the "Next Next Wave" portion of the Brooklyn Academy of Music's Next Wave 2002 festival. Most recently Mesinai has received commissions from The Kronos Quartet, Ethel, and Maya Beiser.