Radio Rewrite

Muzyka Współczesna/Muzyka Elektroakustyczna
premiera polska: 2014-09-29
kontynent: Ameryka Północna
kraj: USA
opakowanie: kartonowe etui
opis:
Opis wydawcy:
Steve Reich, legendarny kompozytor i jeden ze współtwórców nurtu minimalistycznego, prezentuje instrumentalne dzieło inspirowane muzyką jednego ze swoich ulubionych zespołów rockowych, Radiohead. Utwór powstał na zamówienie orkiestry kameralnej Alarm Will Sound, specjalizującej się w interpretacjach muzyki współczesnej. Orkiestrą dyryguje Alan Pierson.
Utwór tytułowy zainspirowały dwie piosenki Radiohead – "Jigsaw Falling Into Place" oraz "Everything In Its Right Place". Gitarzysta grupy, Jonny Greenwood, pojawia się na płycie w kompozycji "Electric Counterpoint". Gościnnie słychać też Vicky Chow (z grupy Bang On A Can All-Stars) w "Piano Counterpoint" (utwór z 1987 roku). Steve Reich napisał "Radio Rewrite" w 2012 roku. Kompozycja zebrała mnóstwo pochwał. "To jakby Reich przerabiający samego siebie, odkrywający od nowa swój ponadnaturalny styl. Kompozycja jest z miejsca przyswajalna i z od razu się ją lubi" – pisał angielski "Observer".
Sam Steve Reich tak wyjaśniał powody powstania "Radio Rewrite": "Obecnie, w początkach XXI wieku, żyjemy wśród remiksów. Muzycy biorą fragment cudzych kompozycji i robią z nich coś swojego. Zwykle pracuję z partyturą. Tym razem zdecydowałem się nawiązać do dwóch piosenek Radiohead i przerobić je dla muzyków, którzy normalnie rocka nie grają".
Dodajmy, że jest w związku z płytą pewien polski akcent. Steve Reich i Jonny Greenwood spotkali się po raz pierwszy w Krakowie, podczas festiwalu Sacrum Profanum.
Nie znający najwyraźniej słowa odpoczynek Steve Reich, wraz z Musicians oraz swoim przyjacielem Philipem Glassem, trzykrotnie wystąpi we wrześniu (9-11 dnia tego miesiąca) w Brooklyn Academy Of Music w ramach obchodów 50-lecia istnienia wytwórni Nonesuch Records, dla której nagrywa. Na estradzie pojawi się też orkiestra Alarm Will Sound.
Editor's info:
Nonesuch releases Pulitzer Prize–winning composer Steve Reich’s album Radio Rewrite on September 30, 2014 (in the UK, October 6). Co-commissioned for and recorded by Alarm Will Sound, the title piece references two songs by the English band Radiohead. Alan Pierson conducts this premiere recording of Radio Rewrite, which was composed in 2012. The album also includes recordings of Electric Counterpoint (1987) and Piano Counterpoint, which is a 2011 transcription by Vincent Corver of Reich’s 1973 Six Pianos, the works are performed, respectively, by Radiohead’s guitarist, Jonny Greenwood, and pianist Vicky Chow, who is a member of the Bang on a Can All-Stars.

In addition to his usual busy performance schedule, Reich and his ensemble, Steve Reich and Musicians, join his longtime friend, colleague, and labelmate Philip Glass and his Ensemble for three performances at the Brooklyn Academy of Music next month as part of the Nonesuch Records at BAM 50th anniversary celebration, Alarm Will Sound also performs two concerts as part of the BAM series, including Radio Rewrite (details below).
Reich says of his new piece: “Over the years composers have used pre-existing music (folk or classical) as material for new pieces of their own. Radio Rewrite, along with Proverb (Perotin) and Finishing the Hat—Two Pianos (Sondheim), is my modest contribution to this genre.” He continues, “Now, in the early 21st century, we live in an age of remixes where musicians take audio samples of other music and remix them into audio of their own. Being a composer who works with musical notation I chose to reference two songs from the rock group Radiohead for an ensemble of musicians playing non-rock instruments: ‘Everything in Its Right Place’ and ‘Jigsaw Falling into Place.’”
Reich and Greenwood met in Krakow in 2010 during a festival of Reich’s music, where Greenwood gave a performance of Electric Counterpoint that its composer liked very much. (Greenwood has since performed it many more times, including during a London tribute to Nonesuch’s 50th anniversary at the Barbican.) Reich says, “When I returned home I made it a point to go online and listen to Radiohead’s music and the two songs mentioned above stuck in my head. It was not my intention to make anything like ‘variations’ on these songs, but rather to draw on their harmonies and sometimes melodic fragments and work them into my own piece. As to actually hearing the original songs, the truth is—sometimes you hear them and sometimes you don’t.”

Electric Counterpoint was commissioned by BAM for guitarist Pat Metheny. It is the third in a series of pieces (first Vermont Counterpoint in 1982 for flutist Ransom Wilson followed by New York Counterpoint in 1985 for clarinetist Richard Stolzman) with a soloist playing against a pre-recorded tape of themselves. In Electric Counterpoint the soloist pre-records as many as ten guitars and two electric bass parts and then plays the final eleventh guitar part live against the tape.

Reich says Piano Counterpoint “is an arrangement of Six Pianos in which four of the six piano parts are pre-recorded and the last two are combined into a more virtuosic single part played live. For these last two parts to be played by a single pianist it was necessary to move some of the melodic patterns up an octave giving the piece an increased sparkle and intensity. The amplification of the live player along with the pre-recorded playback adds additional electricity. Combined with the practicality of needing only a solo pianist, this arrangement can be heard as improving on the original.”

utwory:
1. Electric Counterpoint: I. Fast
2. Electric Counterpoint: II. Slow
3. Electric Counterpoint: III. Fast
4. Piano Counterpoint
5. Radio Rewrite: I. Fast
6. Radio Rewrite: II. Slow
7. Radio Rewrite: III. Fast
8. Radio Rewrite: IV. Slow
9. Radio Rewrite: V. Fast

wydano: 2014-09-29
more info: www.nonesuch.com