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Hespèrion XXI, Jordi Savall: BAL-KAN Miel et Sang. Cycles of Life [3 Hybrid SACD]

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Klasyczna Muzyka Dawna
premiera polska:
2014-02-14,
Wydawnicto Audiofilskie

kontynent: Europa
opakowanie: plastikowe etui
opis:

audiolifestyle.pl:
Kolejne wspaniałe książkowo-płytowe wydawnictwo, w którym Jordi Savall pochyla się nad niezwykle żywym, niezmiernie bogatym oraz treściowo i formalnie różnorodnym dziedzictwem Bałkanów. Cyganie, Turcy, Rumuni, Bułgarzy, Grecy Albańczycy, Sefardyjczycy, Macedończycy tworzą cudowną muzyczną mozaikę, która mimo wiekowych tradycji ciągle przebija aż nazbyt wyraziście we współczesnych klimatach południa Europy. Savall i jego goście jak zwykle są dalecy od akademickiej maniery, która psuje wiele tego rodzaju antologii. W podtytule tego imponującego wydawnictwa (3 SACD plus 600-stronicowa książka) znalazły się dwa słowa – Miód i Krew. Trudno o lepszy opis zawartości.

Editor's info:
To Voltaire’s statement “Without the senses there is no memory, and without memory there is no mind”, we would add that without memory and mind there is neither Justice nor Civilisation. Music is the most spiritual of all the Arts. In fact, it is the Art of Memory par excellence, which only exists when a singer or an instrumentalist brings it to life. It is then, when our senses are moved by the beauty and emotion of a song or by the surprising vitality of a dance, that, thanks to memory, we can capture it in our minds. Such intense yet fleeting moments bring peace and joy or sweetness and nostalgia to our hearts, moments that we cherish in our memory.

In today’s world of instant communication, the overriding influence of globalisation is one of the principal causes of the daily loss of ancestral memories. We are faced with such an avalanche of information, visual stimuli and leisure activities that age-old local cultures belonging to the oral tradition can be crowded out. Often these include unique musical traditions passed down over the centuries from parents to children and from teachers to pupils, which have been kept alive to the present day, thanks to the essential role they play in the daily lives of individuals and families, and because they are an integral part of the ceremonies and festivals that celebrate the natural Cycles in the Life of both Man and Nature: music that has survived and has helped us to survive.

“Progress” is finally making inroads in some of those parts of Eastern Europe, which, for more than four centuries, were isolated from the social and technological development experienced in mainstream Europe. However, this modernisation of our everyday lives has meant that much of the music that had survived unscathed by the passage of time and oblivion is now gradually disappearing and being replaced by more “modern” and “universal” music. The moving songs and the beautiful old dances are gradually being ousted by the global music that floods the modern mass media: TV, Internet, Radio, Cinema, CDs, etc.

We hope that our new CD/Book “The Voices of Memory” in the BAL•KAN countries (“Honey & Blood”), driven by a creative approach that is characterised by its respect for original stylistic differences, will contribute to introduce these repertories to new audiences. At the same time, we wish to pay a sincere tribute to all those musicians, to all those men and women who, with their sublime and profoundly authentic art, continue to breathe life into the music that has been the backdrop to their own and their ancestors’ lives. In our opinion, it constitutes one of the richest and most moving examples of the intangible heritage of humanity. In this new recording, true “Voices of Memory” will accompany us on a fascinating and illuminating musical journey: an imaginary voyage, but one which exists in time and space and in the “Cycles of Life” of this ancient part of Europe that the 15th century invading Ottomans called Bal Kan (Honey & Blood), a region which, more than three thousand years ago, was the cradle of our European civilisation...

muzycy:
Meral Azizoğlu (Turquie)
Irini Derebei (Grèce)
Gürsoy Dinçer (Turquie)
Lior Elmaleh (Israël)
Montserrat Figueras (Espagne)
Tcha Limberger (Belgique/Manouche)
Marc Mauillon (France)
Amira Medunjanin (Bosnie)
Stoimenka Outchikova-Nedyalkova (Bulgarie)
Agi Szalóki (Hongrie)
Zacharias Spyridakis (Chypre)

INTERPRÈTES INSTRUMENTAUX

MUSIQUES DE BULGARIE & DE MACÉDOINE
Nedyalko Nedyalkov kaval
Peyo Peev gadulka
Valeri Dimchev tambura
Stoian Yankulov tupan
Et aussi tous les musiciens pour la pièce vocale : CD 3 nº 4

MUSIQUES DE HONGRIE (avec chant)
Nedyalko Nedyalkov kaval
Dimitri Psonis santur
Yurdal Tokcan oud
Jordi Savall lire d’archet
Pedro Estevan percussion

MUSIQUES TZIGANES
Tcha Limberger violon
Janos Dani bracs
Gyula Csík cymbalum
Vilmos Csikos contrebasse
Et aussi tous les musiciens pour la pièce: CD 1 nº 15

MUSIQUES DE SERBIE & DE ROUMANIE
Bora Dugić frula
Milan Nešović guitare
Slobodan Prodanović accordéon
Marko Lazović violon
Jordi Savall dessus de viole
Slobodan Marković orgue
Mihailo Blam contrebasse

MUSIQUES DE GRÈCE
Zacharias Spyridakis lyre grecque
Nedyalko Nedyalkov kaval
Hakan Güngör kanun
Yurdal Tokcan oud
Dimitri Psonis santur, saz, lafta et guitare morisque
Jordi Savall lyre d’archet et dessus de viole
Pedro Estevan & Fahrettin Yarkın percussions
Et aussi tous les musiciens pour la pièce : CD 2 nº 8

MUSIQUES DE BOSNIE & DE TURQUIE (avec chant)
Stavros Kouskouridas clarinette
Moslem Rahal ney
Hakan Güngör kanun
Yurdal Tokcan oud
Fahrettin Yarkın percussion

MUSIQUES DE TURQUIE (instrumentales)
Nedyalko Nedyalkov kaval
Hakan Güngör kanun
Yurdal Tokcan oud
Driss El Maloumi oud
Jordi Savall lyre d’archet
Derya Türkan kemençe
Murat Salim Tokaç tanbur
Dimitri Psonis santur
Pedro Estevan & Fahrettin Yarkın percussion

MUSIQUES D’ARMÉNIE
Haïg Sarikouyoumdjian duduk
Jordi Savall dessus de viole

MUSIQUES SÉFARADES
Moslem Rahal ney
Yair Dalal oud
Erez Shmuel Mounk percussions
Driss El Maloumi oud
Arianna Savall
Jordi Savall rebab et dessus de viole
Pedro Estevan percussion
Et aussi tous les musiciens pour la pièce vocale : CD 2 nº 7

Jordi Savall
Rebab, lyre d’archet, dessus de viole

utwory:
CD 1. . . . . 76’58
CRÉATION : UNIVERS, RENCONTRES & DÉSIRS
1. Tzigan nota (improvisation au style Tsigane)
2. Alef, mem, shin (Séfarade, Occitanie IXe s./Turquie) M. Figueras
3. Marche Ottomane (Cantemir 209)
4.Emina (Bosnie) A. Medunjanin
5. Doina Olteniasca – Hora Láutareascá (Roumanie)
6. Kadona sedi v bachona (Montagnes Rhodope, Bulgarie) S. Outchikova
7. Tillirkotissa (Chypre) I. Derebei, G. Dinçer

PRINTEMPS : NAISSANCE, RÊVES & CÉLÉBRATIONS
8. Egy veleg Chanson et danse (dans le style des Tsiganes de Budapest)
9. Berçeuses : Hajda lilibe (Roumanie), Fúdd el jó szél (Pusztina)
. . Szundi virágszál (Yidish) A. Szalóki
10. Taksim & Gulubovska Ruchenica (Danse de Trachea)
11. Milo mou kai mandarini – Konial (Grèce) I. Derebei
12. Küçüksu’da Gördüm seni (Turquie, Tanburi Mustafa Çavuş) G. Dinçer
13. Moma e moma rodila (Montagnes Rhodope, Bulgarie) S. Outchikova
14.Vrcavo Kolo (Serbie) Version de B. Dugić
15. Dui dui, demonori (Chant Tsigane, Roumanie) Tutti

CD 2. . . 73’34
ÉTÉ : RENCONTRES, AMOUR & MARIAGE
1. Zapjevata sojka (Bosnie) - Ramizem (Turquie) A. Medunjanin, M. Azizoğlu
2. Doãna Olteniasca (instr. Tsigane, Roumanie)
3. Segélj el uram isten (Chanson de Mariage) (Chant Tsigane) A. Szalóki
4. Selfo/Clarinette impr. (Albanie & Grèce)
5. Godini ludi mladi (Macédoine) S. Outchikova
6. Gidem dedim aman (Roumélie) M. Azizoğlu
7. Hermoza muchachica (Melodie Séfarade & improvisations)
8. Koniali (Turquie - Grèce) I. Derebei, G. Dinçer, L. Elmaleh

AUTOMNE : MÉMOIRE, MATURITÉ & VOYAGE
9. Elment a két lány (Hongrie) M. Azizoğlu
10. Dök Zülfünü meyoana gel - T. Mustafa Çavuş (Ottoman) G. Dinçer
11. Intro & Slivensko Paidushko Horo (Centre Thrace, Bulgarie)
12. Yasemi mou (Chypre)I. Derebei
13. Remembering Dijon (Serbie) Bora Dugić
14. .De man daje mol te piau (Tsigane, Roumanie) T. Limberger
15. A csitari hegyek alatt (instr. Tsigane)
16. Ah! sto çemo (Bosnie) A. Medunjanin

CD 3. . 79’16
HIVER : SPIRITUALITÉ, SACRIFICE, EXIL & MORT
1. Et Sharey Ratzon (Séfarade/Arabe) L. Elmaleh
2. Pot-pourri : Stani, Stani Ibar Vodo - Dragiša Nedović (Serbie)
3. Taksim & Gazel - poème de Fuzuli (impro. Style ottoman) G. Dinçer
4. Zaplakala e vdovitsa (Bulgarie) S. Outchikova
5. Hung-Rom Tzig-Tzigan nota (Tsigane, Roumanie)
6. Sarhos - Ime Tze (Chypre : Turc & Grec) Z. Spyridakis, G. Dinçer, I. Derebei
7. Pastirska Elegija (Serbia) Version de B. Dugić et J. Savall
8.Danse Urbaine (Serbia) Version de B. Dugić
9. Kradem ti se u veceri (Bosnie) A. Medunjanin
10. Taksim/Accordéon impro. (Serbie)
11. Ben bir göçmen Kızı(Turquie) M. Azizoğlu
12. Midnight Elegy (Serbie) B. Dugić
13. Fehér Galamb (Lamentation funeraire) (Hongrie) A. Szalóki
14. .Shuvi nav shi - Yossef ibn Sulai (Sépharade) L. Elmaleh
15. Plainte de l’Exil/Duduk impro. (Arménie)

(RÉ)CONCILIATION
16/18. Torah (Hébreu) - Apo xeno meros (Grèce) - Üsküdar (Turquie)
19/20.Ruse Kose (Serbie centrale) - Durme hermosa donzella (Séfarade)
21/22. Instrumental tsigane (lent-rapide) - Voix & Instruments (lent-rapide)


wydano: 2014
more info: www.alia-vox.com

AVSA9902

Opis

Wydawca
Alia Vox (SP)
Kompozytor
Antologia
Artysta
Hespérion XXI / Jordi Savall
Nazwa
BAL·KAN
Instrument
vocals
Zawiera
3SACD
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