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Dan Berglund's Tonbruket: Tonbruket

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Fusion Jazz
premiera polska:
2010-02-17
kontynent: Europa
kraj: Szwecja
opakowanie: digipackowe etui
opis:

opis wydawcy
Tonbruket to nowy zespół Dana Berglunda, kontrabasisty znanego z Esbjorn Svensson Trio (e.s.t.), zespołu, o którym zwykło się mówić, że zredefiniował jazz przełomu wieków. Tak jak e.s.t. czerpał z wielu niejazzowych inspiracji, tak i Tonbruket sięga po zgoła niejazzowe brzmienia.
Berglund wiedział, że e.s.t. to rozdział zamknięty, dlatego zdecydował się na kontrowersyjny krok w zupełnie nowym kierunku. W świat muzyki, której wcześniej nie eksplorował. Wspólne pozostały tylko pytania: o granice jazzu i jego cechy charakterystyczne. A może bardziej: o zasadność tego typu pytań.

Jazzman
(. . .) Comparisons between E.S.T. and Tonbruket are inevitable but Berglund's choice of personnel represents an attempt to distance himself from his old band. He didn't feel ready yet to work with Ohrstrom again and instead drafted in Werliin. The group may still have a pianist but Hederos is essentially a keyboard player, more of a colourist than a soloist and his style is so different to Esbjorn Svensson's as to render comparisons redundant.

The album begins with Hederos's tune "Sister Sad" which begins with mournful sounding pedal steel guitar before accelerating and soaring off into space on banks of layered guitars and almost "Telstar" like organ. After building to a climax the music floats, weightless in deep space. It's a dramatic, atmospheric, attention grabbing opener, especially for those of us who, like it's creators, grew up on prog and metal before gravitating to jazz.

The following "Stethoscope" (by Lindstrom) is more throwaway, centred round a single vamp, but is again an impressive example of texture and layering. The piece is essentially a bridge into Nelson's favourite Berglund's own "The Sailors Waltz". Here Berglund picks up the bow for the first time evoking comparisons with his dramatic, effects laden arco work with E.S.T.. Here Berglund keeps it simple, his playing is unadorned but beautiful, moving and effective. As Berglund told Robson "in E.S.T. I effectively had to play bass and guitar, I don't have to do that here" Elsewhere Lindstrom's guitar keens mournfully and Hederos acoustic piano colours delicately. It sometimes evokes the E.S.T. sound but has enough character to maintain it's own strong sense of identity. (. . .)
Reviewed by: Ian Mann

muzycy:
Dan Berglund: bass
Martin Hederos: piano
Johan Lindström: guitar
Andreas Werliin: drums

wydano: 2010
more info: www.actmusic.com
more info2: www.tonbruket.com

ACT90232

Opis

Wydawca
ACT (DE)
Artysta
Dan Berglund's Tonbruket
Nazwa
Tonbruket
Instrument
bass
Zawiera
CD
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