Outward Bound [Bonus Tracks]

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Nowa seria wydawnicza - Pool Winners Records, w ramach której prezentowane będą jazzowe kamienie milowe, tytuły, które w najbardziej prestiżowym jazzowym magazynie - Down Beat otrzymały maksymalna ocenę, pięć gwiazdek. Warto dodać, że w każdym roku zaledwie kilka/kilkanaście płyt otrzymywało tak wysokie noty.

Wznowienie słynnej, pierwszej autorskiej płyty Erica Dolphy'ego, na której prezentuje on swój autorski kwintet z trębaczem Freddiem Hubbardem, pianistą (znanym choćby z sekstetu Charlesa Mingusa) Jaki Byardem, basistą George Tuckerem oraz Royem Haynesem na perkusji. Album zarejestrowano w 1960 roku i było to pierwsze z wielu spotkania lidera z Freddiem Hubbardem.
Wydanie wzbogacone zostało o dodatkowe utwory, alternatywne wersje dwóch własnych kompozycji Dolphy'ego: "G.W." oraz "245" pochodzących z tej samej sesji oraz dwa standardy "Bali Ha'i" i "The Things We Did Last Summer" nagrane w kwintecie Dolphy'ego z Tedem Cursonem i Kennym Drew w 1961 roku.
Wydanie wyposażone zostało tak jak wszystkie pozostałe z tej serii wydawniczej w kilkunastostronicową książeczkę zawierającą esej autorstwa Arnolda Marcusa z 2011, oryginalny Liner Notes pióra Rona Eyre'a oraz tekst z winylowegj edycji płyty z 1963 roku pióra Roberta Levina. Oczywiście publikowana jest pięciogwiazdkowa recenzja z Down Beat autorstwa Dona DeMicheal'a.
Epokowe nagranie!!!


Editor's info:
Outward Bound was Eric Dolphy's first album as a leader. He had been recording since 1948, when he was a member of the Roy Porter orchestra, and in the twelve years that separate those early sides from Outward Bound he would gain renown as a member of the Chico Hamilton Quintet, just before joining Charles Mingus in 1960, for the first of their various collaborative phases. Outward Bound also marked Dolphy's first recording with trumpeter Freddie Hubbard, with whom he would participate on various projects until February 1964. Both musicians are heard on Ornette Coleman's Free Jazz, Oliver Nelson's The Blues and the Abstract Truth, John Coltrane's Africa Brass and Olé, Benny Golson's Just Jazz, Hubbard's own album The Body and the Soul, and Dolphy's Out to Lunch. Soon after making Out to Lunch, Dolphy embarked on a European tour with the Charles Mingus Sextet, whose group he left at the end of April with the intention of staying in Europe for a while in order to try his luck as a soloist. However, on June 28, 1964, Dolphy, who hadn't been feeling well over the previous days, collapsed in his hotel room in Berlin. He died on June 29, 1964, just nine days after turning 36-years old, leaving a short but tremendous legacy in the jazz world. As a bonus to this album, we have added two alternate takes and an extra song, "April Fool", recorded at the session but left off of the original LP (considering the session took place on April 1, it is easy to believe it was an impromptu Dolphy composition made up at the studio). We have also added the only two songs featuring Dolphy from trumpeter Ted Curson's 1961 album for the Old Town label Plenty of Horn. These were to be the last collaborations between Dolphy and Curson, who had previously worked and recorded together many times as members of different Charles Mingus formations.

The complete original album Outward Bound (Prestige/New Jazz 8236), Eric Dolphy's first album as a leader. It features Dolphy in a quintet format with Freddie Hubbard on trumpet, Jaki Byard on piano, George Tucker on bass and Roy Haynes on drums. This was the first of various collaborations between Dolphy and Hubbard. As a bonus, two tracks which present Dolphy in a quintet format with Charles Mingus' trumpeter Ted Curson, who was the leader of the date.
Includes 16-page booklet

*****Original Down Beat review: Outward Bound
"This album is the first extended exposure I've had to the remarkable talent that is Eric Dolphy's. On the strength of what I experienced in the course of absorbing the release, I firmly believe that this man will be one of the most rewarding jazzmen of the coming decade. Above all else, his playing and writing have life. Sometimes sounding as if it is boiling with rage, Dolphy's music is filled with sharp, jagged lines that lift the listener as they spiral to peak after peak of raw emotional expression. This album is life." (Don DeMicheal)

****All Music Guide
"This very likable set was Eric Dolphy's first as a leader. Dolphy introduces his tribute to Gerald Wilson, 'G.W.', and rips into 'On Green Dolphin Street', stretches out on flute on 'Glad to Be Unhappy', and takes a memorable bass clarinet solo on the delightful 'Miss Toni'. Hubbard and Byard are also both in good form. A perfect introduction to Eric Dolphy's versatile talents, this boppish set is more accessible than many of Dolphy's more innovative recordings. Recommended." (Scott Yanow)