Vijay Iyer, Steve Lehman, Tyshawn Sorey: Door

Avant Jazz / Free Improvisation / Avant-Garde
premiera polska: 13.05.2013
kontynent: Ameryka Północna
kraj: USA
opakowanie: Jewelcaseowe etui
opis:
Hi Fi i Muzyka; ocena: * * * * * / * * * * *
(. . .) To już bodaj trzeci album formacji Fieldwork prowadzonej przez jednego z najciekawszych młodych amerykańskich pianistów Vijaya Iyera. Jak zwykle wydała go mała niezależna oficyna wydawnicza Pi Recordings, tak więc można śmiało wypatrywać tego albumu na sklepowych półkach.
Album zatytułowany jest „Door”, a nagrany został w trio, co w przypadku Fieldwork jest sprawą oczywistą. Iyerowi towarzyszy na saksofonie altowym Steve Lehman – kolejna ważna i warta bacznej uwagi postać młodej amerykańskiej sceny oraz swego rodzaju objawienie w świecie jazzowej perkusji Tyshawn Sorey, którego zresztą kilka miesięcy temu mogliśmy podpatrywać na żywo w warszawskim Tygmoncie. Choć poprzednie płyty zespołu sprawiały wrażenie propozycji nie dość, że ogromnie intrygujących to jeszcze bardzo dojrzałych, to „Door” na tym polu jawi się jako pozycja dystansująca swe poprzedniczki.
Czyżby Fieldwork dopracował się wreszcie składu idealnego? Możliwe, że tak właśnie jest, bo przysłuchując się muzyce grupy nie sposób odnieść wrażenia, że doświadczamy nie tyle zestawu improwizatorskich indywidualności, co potężnej machiny muzycznej olśniewającej zarówno horyzontem postrzegania muzyki, jak również głębią komunikacji pomiędzy jej poszczególnymi trybami. To nie jest muzyka dla każdego. To fakt, ale doświadczanie jej intensywnej siły i oryginalnego brzmienia to prawdziwa uczta dla uszu (. . .)
autor: Maciej Karłowski

Editor's info:
Praised by NPR's Fresh Air as 'a jazz power trio for the new century,' Fieldwork makes its most powerful and fiercely imagined statement to date with Door, their third album for Pi Recordings. An important marker in this New York collective's ongoing evolution, Door documents three years of intense collaboration since Simulated Progress, and is the first Fieldwork recording to feature the jaw-dropping contributions of Tyshawn Sorey, drummer/composer/co-leader of Fieldwork since 2005. Rounded out by saxophonist/composer Steve Lehman and pianist/composer Vijay Iyer, Fieldwork reflects and refracts the American jazz tradition, modern composition, African and South Asian musics, underground hip-hop and electronica, and the influential music of Chicago's AACM. The resulting blend is 'rich in paradox: dark yet uplifting, intellectually demanding yet effortlessly funky' (JazzTimes).
All three members have growing reputations as important young bandleaders, composers, and players. Tyshawn Sorey is a new star on the New York creative music scene who has received critical acclaim for his work with Steve Coleman, Dave Douglas, and Muhal Richard Abrams, and for his expansive debut recording That/Not. Steve Lehman is an emerging heavyweight leader whose output resides on the frontiers of contemporary music, including extensive work with Anthony Braxton and Meshell Ndegeocello. Vijay Iyer is an award-winning pianist, composer, and electronic musician known for his widely respected solo projects, his ongoing collaborations with indie hip-hop poet Mike Ladd and with saxophonist Rudresh Mahanthappa, and his sideman work with Steve Coleman, Roscoe Mitchell, and Wadada Leo Smith.
The music on Door is born of Fieldwork's signature rehearsal process, which perhaps most resembles that of a rock band, and which they have rigorously maintained for their entire seven-year existence. They use extensive, non-soloistic group improvisation to expand each intricate composition into something far beyond the sum of its parts: tightly unified ensemble playing, extroverted and high-impact, but with a mysterious inner logic - a dense, visceral, and richly layered musical world. 'Highly emotional, cutting-edge and accessible' (The Montreal Gazette)
Door features compositions by all three members: six by Sorey, three by Iyer and two by Lehman. But regardless of the composer, each piece is reconfigured and reworked collectively, so that the result reflects the band's ethos - It sounds like Fieldwork and no other. With the startling counterpoints that emerge among the three players - Sorey's propulsive polyphony, in tight dialogue with Iyer's laconic, percussive assertions, crosscut by Lehman's tart diagonal slices - the performances feel spontaneous, with surprising twists and turns, with sharp corners leading to unexpected destinations.
Whether it's in the cyclical nature of 'Pivot Point,' with its mobius strip-like structure, or the examination and re-examination of the various permutations of 'Cycle,' Sorey's writing is restrained and unorthodox.
Lehman's contributions, 'After Meaning' and 'Rai' highlight his fascination with complex, stop and start rhythms and the use of microtones. 'After Meaning' opens with close to two minutes of through-composed music, performed so effortlessly that the line between composition and improvisation is completely blurred.
Vijay contributes three shape-shifting compositions. In 'Ghost Time' his persistent piano builds suspense, slowly ramping up the intensity and finally resolving in an infectious groove. 'Less' starts as a soft conversation, which becomes increasingly animated.
Fieldwork continues to work to master its own approach to improvised music - that of collective engagement with pre-composed materials rather than the traditional model of individual solos. This novel approach opens up endless possibilities for the artists to explore the themes of beauty and emotion, often in the most surprising and unpredictable of ways.

muzycy:
Vijay Iyer: piano
Steve Lehman: reeds
Tyshawn Sorey: drums

utwory:
1. Of
2. After Meaning
3. Less
4. Balanced
5. Bend
6. Cycle I
7. Pivot Point
8. Pivot Point Redux
9. Ghost Time
10. Cycle II
11. Rai

wydano: 2009
more info: www.pirecordings.com