“This is one of the best releases I’ve heard this year and even in the last 2-3 years” -Gustav Lindqvist (Free Jazz Collective 5/5 stars)
“Live in Europe provides an audacious excursion into creative music “ -Mark Corroto (Allaboutjazz.com 4/5 stars)
“ Even the trio date is a raucous free jazz blowout, and when the guests arrive at the party, things get seriously explosive” -Phil Freeman (Stereogum.com)
“A group who really find a new way to open things up” -Dusty Groove (Chicago)
”The musicians who recorded it are outstanding and masterful avant-garde jazz improvisers.” -Avantscena
“Freewheeling solos, tight interplay, and the kind of energy that you can only get in a live performance - it's all here, and it's all gold.” -Derek Stone (free jazz blog)
“Live in Europe» er blitt en fantastisk bra live-utgivelse, med et band som inviterer til fest enten man er i Rotterdam, Ljubljana eller Oslo. Kjopetvang!” -Jan Granlie (salt-peanuts.eu)
“Uansett sa er musikken toff, kompromisslos, energisk og forteller oss at ogsa som bandleder har Gard Nilssen mye a fare med - ikke veldig overraskende det heller”. -Tor Hammero (Tor de jazz)
“Glitrende soloutspill i flere nyanser i det som var en ra jazzgig” -Chris Monsen (Klassekampens top 10 livekonsert 2017 karing)
“En av hostens shavveste liveopplevelser” -Audun Vinger
”Nilssen er overalt i norsk musikk for tiden og han gjor det til et bedre sted a oppholde seg” -Jazznytt
Editor's info: If we were in the seventies and a release like this –a triple LP –crossed our way, we would think that progressive rock was receiving its most ambitious conceptual album ever, but no. The year is 2017 and “Live in Europe” is something else entirely: a celebration of improvised music in its purest form, recorded in concert –as it should. Gard Nilssen’s trio Acoustic Unity played in the North Sea Jazz Festival, the Ljubljana Jazz Festival and the Oslo Jazz Festival in 2016 and the entirety of those performances were documented. Only in the first vinyll we find the triangle formed by the drummer with André Roligheten and Petter Eldh. The second has the contributions of FredrikLjungkvist and the third of Kristoffer Alberts and Jorgen Mathisen. The effect, anyhow, is very similar: this is a very special edition, and it has the same impact in the present creative jazz scene that it would have 40 years ago if it was something coming from King Crimson or Frank Zappa. The importance of this group in instantaneous composition with jazz as its foundation is equivalent. Nilssen’s enthusiasm on the liner notes is very clear: this is «one of the best bands I’ve ever been a part of by far». Why? Because these musicians are re-inventing melody and rhythm while improvising, and that’s not a common task.
Recorded live in concert.Side A & B recorded at North Sea Jazz Festival 8th of July 2016 by Alex Fiennes Side C & D recorded at Ljubljana Jazz Festival 2nd of July 2016 by Luís Delgado Side E & F recorded at Oslo Jazz Festival 18th of August 2016 by David SolheimMixed by Ingar Hunskaar, January-February 2017 Mastered by Fridtjof Lindemann, March 2017Produced by Gard Nilssen and André Roligheten Executive production by Pedro Costa for Trem Azul Photos by Petra Cvelbar, Tore Satre, Eddy Westveer, Ketil Hardy & Gard Nilssen Cover design by Travassos
wydano: 2017-11 nagrano: Recorded live in concert Side A & B recorded at North Sea Jazz Festival 8th of July 2016 Side C & D recorded at Ljubljana Jazz Festival 2nd of July 2016 Side E & F recorded at Oslo Jazz Festival 18th of August 2016 Mixed January/February